Thursday 27 August 2015

Sliced Leg SFX Silicone Prosthetic

Hey guys,

Today's blog is all about my sliced leg effect, you can call it the warm up to Halloween as I've got a few ideas that I want to create as well as one big idea for a live Demonstration at +Blackburn College  for their open day event in October (those of you who follow me on Facebook or Instagram will know what that character is.)

As some of you know I have been experimenting with silicone prosthetic, its something that really interests me as its can be incredibly life like in both touch, movement and visually. It's pretty expensive but worth it if you want the realism.

I began the prosthetic by creating a mould, I just used some monster clay (favourite clay to use but is quite hard, melts well though) and then create the mould. Below you can see the mould is the blue piece which is created by a silicone based product called Mold Star 16 by Smooth On. There are different types of Mold Star, 16 is a fast setting one with a 6 minute pot life and 30 minute cure time which means that if your quick at working its perfect but if not perhaps try Mold Star 15 which has the pot life 50 minutes and a cure time of  about 3-4 hours. +Smooth-On  products can be purchased via their website http://www.smooth-on.com or if your from the UK you might be better buying it from +Bentley Advanced Materials via http://www.benam.co.uk , they also have a handy tutorial video on there about using the product!

 
After creating the mould, I moved on to creating the prosthetic by encapsulating the silicone using bald cap plastic. Meaning I coated the mould in bald cap plastic (after applying a release agent) and then once this was dried I poured in the silicone. This silicone is again a Smooth On product which can be purchased at +Bentley Advanced Materials called Ecoflex Platinum Silicone which is extremely soft and flexible. To create the felsh colour I added Silc-Pig which is a pigment specific for silicone as well as red flocking which gives a multi-dimensional colouring by colouring the "background"
 
Once the prosthetic piece was done its ready to be applied, for this application I used my new adhesive; Telesis 7 Silicone Adhesive which is a fantastic product the only down side is that its expensive. Its taken me a while to save up for it but it really do glue well.
 
Now the fun part...not that anything before this wasn't fun but this is the really fun messy bit...colouring and blood!
So as I love my skin illustrators so much I used them...I used mainly my FX palette and 5 blood palette both are perfect for casualty effects and gory effects. I love how you can create such a nice wash of colour that doesn't over power the effect. As you can see below, the prosthetic coloured without any blood.
 
 
Once you have the colour right you can go ahead and add the bloods. Whenever I'm teaching sfx I always check my students work before they add the blood because blood can hide a multitude of sins and dodgy edges. (Word of warning to my new Level 3 Media Makeup students starting in September.)
 
My favourite bloods to use are those by Bloody Marvellous, who do a selection of sfx products including liquid bloods and wound fillers.
With this effect I used both liquid and thick bloods in dark.
 
 
 As you can see below, the colour is fantastic for dark venous blood. The top swatch is the liquid blood which you can see is a little more watery in consistency with a slightly more transparency and runs very easily. The next sample is the thick blood which is a lot more dense in colour as well as being more stable and doesn't run quiet as easily as the liquid.

 
The next product that I used, also from Bloody Marvellous, is the wound fillers. The first one is scratch blood and then congealed blood. I love these wound fillers so much as they are really realistic and easy to apply...except the scratch blood which is a little more jelly like making positioning a little more work but totally worth the extra work.
 
 
As you can see from the swatches, that scratch blood, which is the orangey colour is very sticky and gel like in consistency. The congealed blood is far more solid and adds fantastic depth in colour and texture.
 
 
Altogether you get a fantastic realistic effect. The colours and texture work really well to create that lovely gory ripped skin effect.
 
 
 
 
Am happy with the piece and can't wait to try more effects using a similar techniques.
 
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Bye for now lovelies!